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Issue |
Title |
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Vol. 6, no. 2 (12) (2015): Creative Digital |
Poland: Games Supporting Student Creativity |
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Maria Śliwińska, Piotr Kozurno |
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Vol 2, no. 3/4 (2011): From Closed Doors to Open Gates |
Poland: Hack4Europe! from a Polish perspective, Poznan (Poland) Dzialynski Palace, 7-8th of June 2011 |
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PDF
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Adam Dudczak |
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Vol 2, no. 3/4 (2011): From Closed Doors to Open Gates |
Poland: Opening of the Digital National Museum in Warsaw |
Details
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Marcin Werla |
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Vol 2, no. 3/4 (2011): From Closed Doors to Open Gates |
Poland: Polish Memory Institutions Show Resources Online |
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PDF
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Maria Śliwińska |
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Vol 4, No 7/8 (2013): Art Nouveau |
Poland: Stanisław Wyspiański the Versatile Artist |
Details
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Maria Śliwińska |
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Vol. 1, no. 1/2 (2010): Think Culture |
Poland: Technology and Technique in Research on the Works of Art. Ars Sine Scientia Nihil Est. Torun (Poland) 25-26 November 2010. |
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Alicja Saar-Kozłowska |
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Vol. 7, no. 1/2 (13/14) (2018): Cultural Heritage, Real & Virtual |
Poland: The Academic Library in Virtual World |
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Justyna Jasiewicz |
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Vol. 1, no. 1/2 (2010): Think Culture |
Poland: The Church of Christ's Crib (Kripplein Christi) in Wschowa at the Time of the Confessionalization Process in Central European Countries at the Turn of the 16th and 17th Centuries. Wschowa (Poland), October 21-22, 2010. |
Details
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Alicja Saar-Kozłowska |
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Vol. 7, no. 1/2 (13/14) (2018): Cultural Heritage, Real & Virtual |
Poland: The Non-Existent Object: An Inspiriting Technology |
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Anna Kompanowska |
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Vol 4, No 7/8 (2013): Art Nouveau |
Poland: The Past in the Pre-Raphaelite and Young Poland's Art |
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Piotr Kopszak |
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Vol 2, no. 3/4 (2011): From Closed Doors to Open Gates |
Portugal: Enhancing Digital Services at the National Library of Portugal |
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Helena Patrício |
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Vol 4, No 7/8 (2013): Art Nouveau |
Portugal: The Adoption of the Art Nouveau Movement by the Local Bourgeoisies |
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Ana Gomes, Andreia Vale Lourenço |
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Vol. 1, no. 1/2 (2010): Think Culture |
Romania: The Romanian Cultural Scene in Crisis Times |
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Dan Matei |
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Vol. 5, no. 9/10 (2014): Photography |
Romania: A Phenomenology of Photography in Nineteenth-Century Romania |
Details
PDF
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Emanuel Bǎdescu |
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Vol. 6, no. 2 (12) (2015): Creative Digital |
Romania: Creative Use of the Historical Documents Collection of the Romanian Academy Library |
Details
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Oana Lucia Dimitriu |
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Vol. 6, no. 1 (11) (2015): Virtual Exhibitions |
Romania: Developing Virtual Exhibitions on Mobile Devices for the Educational Sector |
Details
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Cristian Ciurea, Gabriela Dumitrescu |
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Vol. 5, no. 9/10 (2014): Photography |
Romania: Ferenc Veress, One of the Pioneers of Photography in Transylvania |
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Dorottya Újvári |
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Vol 2, no. 3/4 (2011): From Closed Doors to Open Gates |
Romania: The Romanian Libraries in the Electronic Age |
Details
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Oana Lucia Dimitriu |
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Vol. 3, no. 5/6 (2012): Collections Development |
Russia: Boris Yeltsin Presidential Library: electronic resources on the Russian statehood |
Details
PDF
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Alexandr Pavlovich Verschinin |
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Vol. 6, no. 2 (12) (2015): Creative Digital |
Russia: Possibilities and Limitations of Repeated Use of Digital Resources: Museum Multimedia at the Internet Festival "Museum Geek" |
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Olga Kissel, Natali Potapenko |
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Vol. 1, no. 1/2 (2010): Think Culture |
Russia: The 12th Annual International Conference EVA 2009 Moscow (Russia) 30 November-2 December 2009. |
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Nadezhda Brakker |
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Vol. 1, no. 1/2 (2010): Think Culture |
Russia: The 14th Annual Conference ADIT 2010 “Cultural Heritage and Information Technologies”, Krasnodar (Russia) 7 -11 June 2010. |
Details
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Nadezhda Brakker |
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Vol. 1, no. 1/2 (2010): Think Culture |
Russia: The Rybinsk State History, Architecture and Art Museum-Preserve |
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Sergey Cherkalin, Nadezhda Brakker |
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Vol. 1, no. 1/2 (2010): Think Culture |
Russia: The Seventeenth International Conference "Crimea 2010" "Libraries and Information Resources in the Modern World of Science, Culture, Education and Business" Autonomous Republic of Crimea, Ukraine, June 5-13, 2010. |
Details
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Nadezhda Brakker |
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Vol. 1, no. 1/2 (2010): Think Culture |
Slovak Republic: Digitisation in Museums in the Slovak Republic |
Details
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Erik Kriššák |
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